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Rebekka Deubner / tempête après tempêteThe images of tempte aprs tempte were shot during Rebekka Deubners second journey to Fukushima ken, in the summer of 2019. On 03. 11. 2011 a part of the north east coast was impacted by three major catastrophes: a naval quake, a tsunami, and lastly the explosion of the Fukushima Daiichi nuclear power plant. Deconstruction does not only causes annihilation, it also creates the occasion for new forms of life to emerge. tempte aprs tempte portrays

borrowed from the urban and online accelerated mediascape

that’s how 019

remind us of a long-lost time

we don’t always see her – we see part of her

Assmann started this ritual in November 2009

This book contains 10 visual essays photographed by Johannes Schwartz and conversations with the patrons of commissioned murals in private collections by Hanne Hagenaars: “The patrons who speak in this book are the brave among art buyers: their walls bear a mural by Gijs Frieling

Organized in alphabetical order by the first letter of each dance style

“There’s actually no toys in this book

A more extreme but equally well understood example is the classical ruin

our human presence is omnipresent

Memory and history are fragile

Maybe this alter ego is even the primary ego

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