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coalRemi Graves Blackfriars Bridge, 1905. A Black Cherokee man is arrested and charged as a wandering lunatic. In the City of London asylum, he is photographed; looking directly at the camera, he insists and refuses. He dies in the asylum one year later. In the absence of Paul Downings own account, Remi Graves writes from and into the trans archive, presenting a sequence of poems and experiments mapping resonances between selves across historical records.

The additional cantos

of laat je je juist gelden en houd je die wereld een spiegel voor

Tom Raworth

" --Cole Swensen

Weaving through familial chasms

but also experiments with techniques of repetition

"What bloody lens holds firm between this mystery & us

through the lenses of work

niet bang de dingen bij de naam te noemen

including the use of machine translation and creative embellishment

Carson pasted old letters

and "high walk[s] into fantasy"