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Screen RoomYang's work is based on her own experience of living in London. She makes quick observations of the streets and surrounding areas in the city centre. Through these moments, she captures subtle feelings of isolation and detachment within crowded spaces. These sketches are transformed into mezzotint prints, where the slow production process allows the images to take shape as perceptual impressions of the city.

but instead

de-mobilise a coat hanger that is disrupted from its normal hanging and composition

The title plays on a familiar Belfast phrase

The performance fully engaged my senses in the act of creating

uncertainty

irregular wooden shapes attached to the edges blur the boundary between painting and object

and mica particles

the accelerated

The work continues to evolve as I encounter new forms

Nightlife II invites reflection on intimacy

The "both/and" is both fixed and flexible and is a necessary positionality to engage with these quantum works where the poesis of meaning can be recalculated and reconfigured with each passing moment

there is a slipping and sliding of potential realities

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