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The Flirt FormulaAnne Portugal (trans. Jean Jacques Poucel) The poems go two by two across facing pages, where they press against each other, connect, and go forth in a tremulous manifesto. The result is a syntactical vertigo poised above nothingness. The halves meet only in an instant, suggesting that the crux of poetry is the art of not quite touching. We loved to surrender hardly located know that we were the ruin just juxtaposed bouquets that each of us had a

and pregnant with possibility for anyone who cares to absorb it

Achter alles zit een plan

De Vries’ aphoristic writing belies a vengeful reversal of roles in which the author—and not her perpetrator—pulls the strings

Spoken word is de kunst om de woorden van het papier te halen en ze tot leven te brengen

unbearable

Door middel van foto’s

or events recreated from life

Marosa di Giorgio uses the recurring setting of a garden as a stage for the ongoing encounter of nature and the supernatural

Te midden van alle tegenstrijdigheid heeft Schaevers een leven van eenheid kunnen beschrijven

Spoken word is bam

Ban moves into an incarnate and untethered presence

The disaster of exhaustion and the exhaustion of disaster are carefully held in this poetics of inquiry